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You've selected:
How great thou art
Guitar
Sheetmusic to print
12 sheet music found
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1
How Great Thou Art
Guitar
Solo Guitar - Digital Download SKU: A0.498420 By Martina McBride. By Stuart K. Hine…
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Solo Guitar - Digital Download SKU: A0.498420 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Adriano Assis. Christmas,Classical,Country,Folk,Praise & Worship. Individual part. 3 pages. Published by Adriano Assis (A0.498420). Arranged for solo guitar, classical guitar, Fingerstyle made easy. Traditional Swedish Folk Tune, Gospel, Grandioso és Tu Arranjo para violão solo, violão clássico, Fingerstyle facilitado. Hino 378 - Hinário 05 CCB.
$4.99
4.65 €
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Guitar
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Martina McBride
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How Great Thou Art
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Adriano Assis
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SheetMusicPlus
How Great Thou Art (Guitar Solo or Duet)
Guitar
Easy Guitar (no TAB) - Level 2 - Digital Download SKU: A0.1063609 Composed by Tradi…
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Easy Guitar (no TAB) - Level 2 - Digital Download SKU: A0.1063609 Composed by Traditional. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score. 1 pages. Ben Dockery #665560. Published by Ben Dockery (A0.1063609). Arranged for guitar solo or duet: melody with chords. Great for preludes, offertories, postludes, and recitals. Easy intermediate level.
$2.99
2.79 €
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Guitar
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Traditional
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How Great Thou Art
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Ben Dockery
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SheetMusicPlus
How Great Thou Art
Guitar
Composed by Traditional. Arranged by Paul Adrian Moldez. Gospel, Praise & Worship. Sheet M…
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Composed by Traditional. Arranged by Paul Adrian Moldez. Gospel, Praise & Worship. Sheet Music Single. 4 pages. Published by Paul Adrian Moldez (S0.285397). - Sheet Music Single - Gospel,Praise & Worship - Paul Adrian Moldez
$4.99
4.65 €
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Guitar
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Traditional
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How Great Thou Art
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Paul Adrian Moldez
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SheetMusicPlus
Gioco. Sonata for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.6 €
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Guitar
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Lua Nascente
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Ol…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Oliveira de Santana / Leonardo Costa Dela Coleta. Arranged by Leo Costa. Classical,Contemporary,Jazz,Latin,Multicultural,World. Individual part. 4 pages. Leo Costa #853791. Published by Leo Costa (A0.1260598). Lua Nascente is a work for solo guitar which brings deep references to Brazilian regional rhythms such as ijexá, maracatu and baião.The original and virtuoso arrangement, written by the artist himself, brings references from popular music closer to the erudite universe without losing the connection with the lyrical narrative that makes it sound like a song. Influenced by great names in Brazilian guitar such as João Pernambuco, Garoto and Paulo Bellinati, Leo Costa proposes his own look at the instrument. It brings complex sonority due to the diversity of elements worked on the same instrument. Starting with low dynamics, full of natural harmonics, the music gradually grows and shows the clearest and strongest notes, reaching the fortissimo at its peak, to fall again afterwards, bringing precisely the figurative sense of a nocturnal trip/journey, with ups and downs, in the light of an imaginary moon that illuminates the Brazilian hinterland and our interior.The music follows unusual paths but at the same time brings constancy in the repetitive marking of the bass, proposing to be a reduced form of the rhythmic orchestra of an ijexá.
$5.00
4.66 €
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Guitar
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Leo Costa
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Lua Nascente
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Leo Costa
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SheetMusicPlus
Pluck for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.93 €
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Guitar
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
André (Guitar)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Sout…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude” is the restless awakening; the “Dawn in the window” is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltz”, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedral”, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant” is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã” é o acordar buliçoso; o “Alvorecer na janela” é a luz do novo dia a esclarecer o espírito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo” que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente” que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declínio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita” são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$4.00
3.73 €
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Guitar
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Rudesindo Soutelo
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Bach to Africa
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.65 €
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Guitar
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Johann Sebastian Bach
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
The Entertainer (Excerpt)
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche, and to emphasize the main melody more. 5. Some composers indications added when really necessary. 6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
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1.86 €
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Guitar
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Scott Joplin
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Royal Winter Music
Guitar
Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Compo…
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Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guitar Archive. Downloadable. Duration 25 minutes. Schott Music - Digital #Q4978. Published by Schott Music - Digital
My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substanial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra. but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.
The dramatis personae of this piece enter through the sound of the guitar as if it were curtain. Through masks, voices and gestures, they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.
- Hans Werner Henze.
$19.99
18.65 €
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Guitar
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Hans Werner Henze
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Royal Winter Music
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Schott Music - Digital
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SheetMusicPlus
Deluxe Encyclopedia of Guitar Chord Progressions
Guitar
Composed by Johnny Rector. Encyclopedia. Ebook and online audio. 96 pages. Published by Me…
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Composed by Johnny Rector. Encyclopedia. Ebook and online audio. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.93416MEB). - ebook and online audio - - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115095. 8.75 x 11.75 inches. Johnny Rector has been recognized for years as one of America's top jazz guitar writers. Here, for the first time, he presents an analysis of modern chord progressions, extensions, alternations, substitutions and a "hands-on" series of exercises designed to utilize and apply these important concepts to the guitar fingerboard. This book was written as a self-study guide to the intermediate, advanced and professional guitarist who has not had the opportunity to study material of this kind with a first-class competent teacher-artist, although such a teacher can be of great assistance in learning to apply the material. It shows unusual chord forms and progressions beyond the basics. Written in standard notation.
$19.99
18.65 €
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Guitar
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Johnny Rector
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Deluxe Encyclopedia of Guitar Chord Progressions
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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